“You just can’t. One has to be brought to juxtaposition – to see that you play two roles, live a duality, and have two separate lives in one.
We live out the mechanical life, and have no choice in that whatsoever. The field of light gives the impression that there is nothing but choice – everything in the Maia is about choice, all these choices.
Just because you know this and live your strategy, you don’t escape the Maia, but live in it seamlessly, because when you then understand the mechanics of the Maia, it becomes seamless. Then you can have the other side of the juxtaposition by being aware of your helplessness. Wait for what you need to come to you, despite what the mirror shows.
Then you get to live out both sides. We are two-faced beings and are always in these two different realms at the same time.
You don’t need to struggle in the light.
You’ll never find reassurance there.
You can only get that from the mechanical side.” – Ra Uru Hu
“… goes from vehicle after vehicle, and doesn’t have any relationship to those vehicles.
It is about seeing what it is to be in play, but not identified with being player. Then one can accept juxtaposition and accept whatever happens.
There are inner mechanics to live by, and the outside is just what it is – a movie, a passing scene, but you are not one with that. To be juxtaposed, you can’t be one with that.
The yin and yang can make love, but still two remain.
We’re always going to have juxtaposition, as it is the dynamic tension that creates life.”
– Ra Uru Hu
The key to our Custom Silicon Fuzz Pedal “Fuzz 292″ is a 3-way voicing switch; treble-boosted fuzz, a standard moderate gain voicing, and high gain fuzz-fever freakout. So at the flick of a switch, the Fuzz 292 changes it’s overall character and how it reacts to your picking and guitar volume knob adjustments.
In addition to the (naturally necessary) volume control and 3-way voicing switch, we’ve added a tone and gain control.
– The “bias” control shapes the character of the fuzz, bending the sound from a smooth, overdrive-like fuzz into a gated, “ripping velcro” fuzz tone (a la some of Homme’s best solo tones in QOTSA.)
– The “Gain” control acts just like the volume pot on your guitar – for a fuzz, this means it smooths the tone, providing a more overdrive-like quality. Or crank it for a blast of 60’s/70’s retro fuzz fry!
Either you have choice, and then always have (a) choice and thus makes you a God, cause you can then manipulate it all and everything.
Or you have none whatsoever. (Who once said, try holding your pee in for xx hours?)
There are quite a few things in my life, that sometimes people comment on, positive or negative, but I know, I could not, not do them.
Helpless and incompetent indeed.
Including studying HD the way I have. And now I can’t anymore. I’m done, at least for now, and there is plenty to study more, but I’m good.
Plenty of non HD books to read also; nope, no more, I’m done searching, no more life questions, no more seeking any answers.
Being a passenger requires no doing, and thus it requires no consideration of a concept like choice, or no choice. This too then simply becomes irrelevant.
The question itself, to understand, know, grok, find out the truth about it, is just another distraction by mind to see if there is still just one other thing to control, like really pretty please, how about this one then, no? This one then, ow…
Which if you can not not do that, great
“All the knowledge burns down in the face of Strategy & Authority” -Dirk Nellens (4/6 Reflector)
All knowing becomes irrelevant. All information gets their proper value; which is none. Only mind valuates and files/stores info into categories.
When you no longer need information to make decisions, or even opinions on/about, when mind is no longer the go-to (re)solver of issues caused and considered by the very same mind.
Something is either correct for you, or not correct for you. The Magnetic Monopole already knows, (re)cognizes it, if the frequency is stabilized between Design Crystal and it. Our identified Personalities Mind is the ignorant one. And we may become aware of this correctness too, or ‘we’ may not. More irrelevance.
I see this Trajectory as Tarzan swinging from liana to liana, as the Program provides situations, energies, swinging, dancing, fluid, agile, and hop and hop. Through all the supposed ‘choices’ of life, through the maze, this one, that one, this one is for me, that one is correct, on and on and on.
And some of us crash into trees, sometimes, a lot, all the time, hard.
Does this answer whether we have a choice, to stabilize this frequency? No it does not.
But who/what is demanding it should do so in the first place, aggressively?
This line of enforcement. The discipline to maintain right action.
Until you get to the 6th line the fates are just throwing spanners in the mix. They are just getting in your way so you’ll simply differentiate. When it gets to the 6th line it gets right back down to the basics, right action is everything. The only way you are here to go through experience is as right action. There is no other way for the 6th line. 6th line beings are the most vulnerable beings on the planet. These are the good that die young and the old that die too soon. 6th line; fragile as fragile can be.
The enforcement of right action is never the privilege of a 6th line being in their first 30 years of their life because in those first 30 years they don’t live out their 6th line theme but a 3rd line of trial and error, pessimism, martyrdom, and mistakes, and all of that. And every 6th line being when they get to their post Kiron phase in life has to meet exactly the same forces they met in that first Saturn cycle, but they have to meet it with the enforcement of right action. Oh, what a trap! Those forces that you met before you went up on the roof they are waiting. It’s like those animals that can’t climb up the building but they know that at some point you have to come down that roof and they are all down there waiting. And it’s not the same people. It’s something to really grasp. It will be the same kind of archetypes. And you will see very clearly as a 6th line being that those forces that were there in that first Saturn cycle, the forces that tempted you with love, with this, with that, the forces that hurt you, that pleased you or whatever the case may be, they return. They return and how you deal with them then? This is what it is to be a 6th line being. The role model. The ultimate example. The ultimate example of what it is to live as yourself and this can only be done through right action. Right action is the action of the vehicle. It’s about authority. It’s about strategy.” – Ra Uru Hu
image by Christian Nauck – Daredevil roof jump – photoshop by Felicitas Driessen
“When you begin the experiment of being yourself, you will see clearly that it will bring the appropriate response and reward. In grasping your design, in grasping your Type, see clearly how important it is for the children around you that they are not forced or conditioned to be something other than what they are.
The first seven years of life is when we experience our deepest conditioning. By the time that we reach seven years of age, we have the equipment necessary to survive in the world. That equipment that we have for survival is the conditioned equipment of the notself that dominates our existence. We were conditioned by our mothers and our fathers and our siblings.
For an adult to discover the nature of their design, the mechanics of their Type, is a seven-year process of de-conditioning yourself. It is not like you have to work at that. It is about experimenting day by day with what it is to be you. It takes seven years for the vast majority of the cells in the body to be replaced. It takes seven years to eliminate the old conditioning and to bring about the new. It takes about three and a half years to reach the critical mass where the true self begins to dominate over the conditioned self.
It is so difficult for deeply conditioned human beings to appreciate the power that lies within them. They have never tapped into those resources. They are always trying to climb the mountain of inconsistency.
The complexity of what it is to be human is really misleading. The literature on “discovering yourself’ has little to do with fact and much to do with concept. Human Design is just about the basic mechanical infrastructure that humanity has. When you accept the way in which your vehicle is intended to operate, it will run smoothly. When your vehicle operates correctly, you who experience the life can finally relax and enjoy the journey. It requires nothing more than living out the basic mechanic of your Type. Nothing more.” Ra Uru Hu – Profile and Type Reference Book
Bart Nijman interviewt Hans Teeuwen in de Nieuwe Revu van deze week over het vrije woord. De cabaretier legt het nog één keer uit, want: ‘Vrijheid wordt te vaak verkeerd begrepen.’
Wanneer werd de vrijheid van meningsuiting een thema voor jou?
‘De eerste keer dat ik ging nadenken over de vrijheid van meningsuiting en hoe fragiel die is, kwam door twee incidenten met de Hells Angels in de jaren 90. In het programma van Jack Spijkerman werden grappen gemaakt over Hells Angels die in een bordeel waren doodgeschoten. Henk van Dorp had iets gezegd over de vermeend criminele activiteiten van deze volstrekt onschuldige jongensclub. Spijkerman werd toen bedreigd en Henk van Dorp moest na een klap in zijn gezicht twee weken lang met een blauw oog zijn programma presenteren, want de jongens waren even langs geweest. Van Dorp en Spijkerman boden zelfs hun excuses aan de Angels aan, op beeld. Dat was al schokkend genoeg, maar nog veel schokkender was dat niemand zich uitsprak tegen wat toch wel heftige bedreigingen en zelfs geweld waren. Artistieke vrijheid en persvrijheid werden door een klein clubje aan de motorlaars gelapt. Ik geloof niet dat het ooit de ambitie van de Hells Angels was om Nederland te gaan regeren, maar op het moment dat het doodstil blijft als je zoiets flikt, realiseer je je wel hoe effectief de dreiging van geweld is als je mensen het zwijgen op wil leggen. Dat vond ik oprecht schokkend. Een van de weinige mensen die zich daar toen net zo druk over maakte als ik, was nota bene Theo van Gogh. Terwijl de reactie van de meeste mensen was van: “Joh, doe nou maar niet, want die lui zijn knettergek.”’
Hoe keek je terug op dat incident?
‘Het geeft een besef over de vrijheid van meningsuiting. Dat er een zekere mate van moed voor nodig is om onder intimidatie uit te komen. De moed van de eenling, die het aandurft om een onderwerp op te werpen of een grap te maken, maar niet weet of iedereen zijn stap naar voren zal volgen, of dat hij daar alleen komt te staan. In de wind. Op zulke momenten vind ik dat de solidariteit van mensen die gewoon, zonder geweld en zonder bedreigingen, een debat willen voeren, zichtbaar moet worden. Want wat gaan die Hells Angels doen als er een massaal statement wordt gemaakt? Ze kunnen niet iedereen op hun bek slaan. Diezelfde wetmatigheid had moeten gelden rondom de eerste cartoons over Mohammed, in Denemarken. Toen er echte bedreigingen kwamen, die door toch een te groot deel van de islamitische gemeenschap in elk geval niet werden veroordeeld. Meteen bij het eerste geweld hadden ALLE (Teeuwen vraagt hier expliciet om hoofdletters, red.) kranten die cartoons moeten afdrukken, om zo de boodschap af te geven dat dát is wat er gebeurt als je een onwelgevallige mening met geweld of de dreiging daarvan probeert te intimideren – dan krijg je hem in duizendvoud terug.’
IF A MILLION PEOPLE SAY A FOOLISH THING, IT IS STILL A FOOLISH THING.