Build Day 2:
Build Day 3:
Part 1 here: Electro-Voice TL806
The Electro-Voice TL806 low frequency loudspeaker system is a vented-box (bass-reflex) design with gross internal volume of 1.3 cu. ft. (36.8119005696 Liters) The system has been designed for use with the Electro-Voice EVM12L 12 inch loudspeaker. The usable frequency range of the TL806 is roughly 60 to 1600 Hz. The efficiency of the TL806 is 6% (half-space load, 100 to 800 Hz, 8 ohm nominal impedance) and as a result will generate outputs of 6 acoustic watts at the rated input of 100 watts.
The design provides a selection of two different low frequency response curves by the optional use of a removable port cover. In the normal configuration (port cover off) the response is flat down to the lowest possible frequency. In the step-down configuration (port cover on) the response exhibits a sloping gradual low frequency rolloff but with about a one-half octave extension of low end response. The step down mode of operation is intended to be used with simple before-the-power-amp equalization to flatten the response (only 6 dB maximum boost required, equalizer details available on request).
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The ultimate tone from your tube amp – anywhere, at any volume
Premium analog reactive load box – 5 finely-tuned guitar amp attenuation levels – Rig control for instant album-quality mic and speaker cabinet emulations – UA Dynamic Speaker Modeling with speaker breakup and cone cry – Selectable 4, 8 and 16-Ohm operation – Front-panel headphone out – Balanced TRS line outs – Wi-Fi control from mobile devices – S/PDIF digital output – Rated for amps up to 150 W (200 W peak) – Built for years of home and studio use that includes 17 speaker cabinets, eight close mics and six room mics, as well as studio-grade compression, delay, EQ, and plate reverb. And at least one easter-egg (looper via foot-switch).
“OX is pre-approved by the Landlord Associations of the Americas, EU and Japan.
And all of your neighbors.
Especially that lady in 2B.”
app info starting at 6minutes in
OX is a premium reactive load box and guitar recording system, giving you perfectly studio-miked amp sounds from your favorite tube amp. OX lets you play and record your amp in its sweet spots — from huge clean tones and edge-of-breakup to fully cranked — at any volume level, and with mic, room, and speaker cabinet emulations at the turn of a knob. Featuring Universal Audio’s breakthrough Dynamic Speaker Modeling, OX is the first system to accurately emulate speaker drive, breakup, and cone cry — making it the world’s finest speaker attenuator and guitar amp recording solution.
Michael says “setting 5 = pretty minimal, setting 4 = -5db, setting 3 = -10db, setting 2 = -20db, setting 1 = -35db”
180125 manual says “Output Attenuation Amount: Six Steps (dB): 0, 6, 12, 24, 36, ∞ (speaker off)”
180220 manual says “Output Attenuation: Five Attenuation Steps and Speaker Off”
Steve Vai about the Universal Audio Ox Amp Top Box: “This is the Dope Bomb”
Since the rebirth of its predecessor, the Mesa Boogie Express, the Express Plus has acted as a diamond in the rough. I shouldn’t say it was love at first sight, given the front panel’s 15 knobs, 5-band EQ, and a host of intimidating switches, but nonetheless, I knew the Plus was an immense wiring improvement on the former clean channel and had a series effects loop which were my two greatest concerns.
Headroom was the name of the game as I was searching to find the right amp. The 5:50 Plus did more than just provide headroom, the clean voicing on channel one was glassy and pristine coupled by richness and depth. The Dyna-Watt patent opens up the clean’s potential by accessing 5,25, or 50 watt power. When the gain and master volume is cranked at 5w, a sparkly breakup occurs. Conversely, at 50w, breaking up is about as taboo as a long term relationship. The crunch voicing on channel one allows for great mid-gain edgy sounds comparable to a Wampler Triple-Wreck.
The blues voicing on channel two is a warmer version of clean voicing and has an increased amount of breakup at higher gain. The burn voicing can compete against any of the classic gain monsters on the Mesa line and beyond. This is especially true when cutting the mids on the 5-band EQ.
This amplifier had me at the clean channel. Everything else was just icing on the cake (and there’s a lot of icing). At 38lbs (5:25 at 27lbs), the 5:50 head is incredibly strong and durable. The all-tube spring reverb and equalization are individually programmed for each channel. The 5-band EQ can be modified and programmed through use of sliders or a preset rotary dial that provides a traditional Mesa V-shaped mid cut. It is important to note that the 5:50 model uses 6l6s while the 5:25 model uses EL84s for those with specific preferences. To top it all off, channel switching, EQ, reverb, and solo boost can be wired to a loop controller for enhanced programming during live sessions. In my opinion, the Express Plus was a worthwhile investment for how much it provides.
Exceptional tone for musicians on a budget
Outstanding versatility and features
Strong build and quality materials
Weight may be an issue. Try the 5:25
Looks will cost you. An upgrade in colored grills and tolex will boost the Benjamins.
Should You Buy One?
I believe this amp surpasses the expectations that many guitarist are seeking after and it’s a step down in cost from many of the popular boutiques on stages today. Go for it.
you cant just have one amp!! 😀
With the JHS Pedals’ Bonsai you can get the classic sounds of nine Tubescreamers in one pedal. Let the Bonsai help you find your overdrive zen.
Opinions will vary about the lbanez Tube Screamer, but no one can deny the weight of its influence. Those that do love this iconic circuit often have an unquenchable enthusiasm for all of its many-splendored variations and modifications. It is for these players that the JHS Bonsai was created. The Bonsai lets one summon nine distinct and noteworthy versions of green dirt with nothing more than a twist of its rotary control. Being able to handily compare all of these circuits back-to-back is endless fun, even if your interest in TS tones is only marginal, so real Screamer fanatics wil find the Bonsai both irresistible and, in use, immeasurably satisfying.
01. Origin Effects – Cali76 Compact Bass Compressor
02. Morley – M2 Wah
03. Electro Harmonix – Soul Food Distortion Fuzz Overdrive
-Lead Foot A/B/Y splitter to Digitech – Trio+ Band Creator + Looper
04. Chase Bliss Audio – Brothers Analog Gain Stage JFET Boost/Drive/Fuzz & IC Fuzz/Drive/Boost
05. DIY – Mad Mule Distortion Fuzz (Durham Electronics – Crazy Horse clone)
06. Electro Harmonix – Op-Amp Big Muff Pi Distortion Sustainer
07. DIY – Green Russian Big Muff Distortion Sustainer (Sovtek – “GREEN RUSSIAN” BIG MUFF π clone)
08. Mooer – Black Secret Vintage & Turbo Distortion (Pro Co “The RAT” Distortion clone)
09. Roger Mayer – Octavia Classic Octave fuzz
10. Dawner Prince – Boonar Multi-Head Drum Echo
11. MXR – M290 Phase 95 Dual Phaser
12. Dawner Prince – Viberator Stereo Uni-Vibe
Now listen to this:
Improved tuning stability. Impregnated with PTFE. Increased harmonics.
The PS-8220-00 : string saver originals PRS Tremolo saddles is the perfect option to upgrade or replace the existing saddles on your PRS tremolo. They have a center intonation screw and a 2 1/16″ string spacing. They are a drop in replacement set to make for an easy install.
String Saver Originals are made entirely of our String Saver material and give you a more balanced tone than steel saddles. On first listen, some people believe that the top end has gone away. All that is missing is the 2KHz spike; what’s added opens up a whole new world of sonic possibilities! Once your ears get used to the new sound, you will start to hear all the added harmonic content that String Saver Saddles reveal.
costs: roughly 20 euros